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Spacemusic Oliebollen Show - this is part 2 - recorded in high quality for you: music from the past, present and future during a three hour Spacemusic event coming LIVE… from Rotterdam.
WARNING: Spacemusic is not responsible for damaging your speakers as a result of playing this part of the show. You have been warned. This part is less suitable for younger ears/playing at the office.
ADVISE: play as loud as possible on a good HiFi set/speakers that can handle high and low frequencies very well , we have taken care of serious compression/limiting. Enjoy!
Tracklist:
[00:00] - Spacemusic Oliebollen Show , part two.
[00:26] - LONG RANGE : Lie Down
[05:20] - GAELLE : Fade Away (tip!)
[08:25] - IELO : 20,000 A.M.
[12:48] - DEZARATE : La Noche (tip!)
[17:33] - SAMANTHA JAMES ft. Messertraum : Tonight
[22:04] - SAMANTHA JAMES : Amber Sky
[24:57] - BROOK SAPPHIRE : Be Chilled
[28:52] - the BEST Oliebollen recipe…train your Dutch right here!

Oliebollen baking process...
> mix all ingredients together in some sort of bucket, take it to a warm area , put a towel on top and let it rise…! After one hour go back into your kitchen and bake them in the ‘zonnebloemolie’. ~ Eet Smakelijk!

Oliebollen uit Holland!
[30:54] - Let the clocks tick… and get ready!
[31:25] - BEST WISHES (Music by ELEON)
[37:19] - 10 9 8 7 6 5 4 3 2 1 … HAPPY NEW YEAR !!!
[40:31] - CRASH : Cirque (rmx)
[46:02] - SCHILLER : Atemlos
[49:05] - SCHILLER ft. JETTE von ROTH : Black
[53:18] - MYLENE FARMER : Devant Soi (Jacquou Le Croquant soundtrack)
[59:07] - CRASH : Fade of Summer (dedicated to victims of Pike River)
[1:02:29] - SCHILLER : La Mer
[1:10:07] - REPLIQUE ft. SHIRIN : Such a Shame (Markus Guenther rmx)
Do you like Oliebollen?
Download part 3. and let your body rest now…
HAPPY NEW YEAR!
~ spacemusic.nl
Tags: 2010, Brook Sapphire, Crash, Dezarate, Eleon, Gaelle, ïelo, Jette von Roth, Long Range, Messertraum, Mylène Farmer, New Zealand, Oliebollenshow, OM-Records, Pike River Cole Mine, podcast, Replique, Samantha James, Schiller, Shirin, spacemusic
It has been 2 years since the last Mylène Farmer album has been released. When ‘Point de Suture’ came out I’d already pre-ordered the album via Amazon.fr making sure I could listen to it as soon as possible. Perhaps you do remember my visit in Brussels as posted on september 21st 2009 HERE. There’s also a small video on Youtube (HERE) which has been viewed over 4,200 times already which is super. On the album ‘Point de Suture’ one can find a mixture of uptempo and ballad tracks, fantastic songs including those typical ‘Mylène’ songs that are just magic, cinematic music composed by Mylène Farmer and Laurent Boutonnat, who also directed tons of her groundbreaking videos. For me, all this is a big source of energy and a source of inspiration for what I do in audioviduals. Or should I say: it used to be…?

December 6th 2010: the release of a new Mylène Farmer album called ‘Bleu Noir’. This time I had pre-ordered the album on a Dutch site and got in the album by december 9th. Unpacked it and started playing with my best headphones on….
Here’s a summary of my ‘Bleu Noir’ experience, a 12 track album that is no longer under the eye of producer and composer Laurent Boutonnat. This time La Farmer hired RedOne for the production (known for his work with Lady Gaga) and Jimmy Joker. The music on the album is taken care of by ‘Moby’ (really? really.) and a couple of tracks were done by Darius Keeler which is a British composer of a the UK based rock band ‘Archive’. The result? “Muziek uit een koekblik” which is dutch for “music from a cookie jar”… read more if you’re up to this.
“On the BN album (Bleu Noir) La Farmer is going where I don’t want to go anymore… 2 out of 5 stars, perhaps an extra star over time”
Now what got into Mylène anyway? Music by Moby. Hmm. Before you know it you will be listening to boring loops and irritating piano patterns as I’ve said goodbye to the Moby style many years ago. But first… there’s the opener of the album called ‘Oui Mais Non’ which is a typical Lady Gaga song produced my RedOne. Boom! Not quite original but it draws the attention by it’s repetitive lyrics and booming beats. Nice one mr RedOne. Video looks ok but very plastic. Mylène looks kinda imported in a land where she doesn’t exactly belong but that’s not important for the rest of this review.
I’m gonna keep it simple and short about BN (at least I will try) cause the album is very much non-inspiring at all. It’s far from those typical Mylène vibes and tracks that used to take me away from earth deep into her mysterious universe. Instead I found myself listening to music from the 90’s and even worse: not liking it. There’s simple and cheap beats, old fashioned melodies and silly loops, vocal editing like we used to hear 15 years ago, the Moby style is getting on my nerves as nothing really cool happens, the sound doesn’t match expectations one is allowed to have in 2010… Luckily there are some positive moments as well, let’s mention those as well cause it saves my 20 euros a little bit… ‘Moi Je Veux’ sounds lovely in my car, singing along before you know, let’s be honest: Mylène’s voice is absolutely terrific and the producers have even lifted her natural qualities to extreme good sounding levels. Really? Yep. Even the song “N’aie Plus D’Amertume” will grab you and move you intensely…At last! Let me put this into perspective: I’m not worried about her voice, I’m worried about the producers and instrumental settings. This is all very ‘bleu’ and very ‘noir’. I doubt this has been the intention for this production but hey… if this was the idea in the first place, well they succeeded!
Couple of songs in particular under review:
‘Bleu Noir’ - the title song turns out to be a dull and bad orchestred song with a Karaoke feel to it. No quality mix within 40 miles distance. Do you see it?
‘N’aie Plus d’Amertume’ - there’s light… probably the best song on the album. Love the melancholic twist, is she back…? Mylène’s voice grabs you and moves you, except for the ‘Moby-style’ piano chords. But let’s try and stop thinking too much.
‘Toi l’Amour’ - listen to the sound at the beginning of this song and you’ll know what I mean with music I’ve left behind years ago … Moby picks it up again. Bad boy!
‘Lonely Lisa’ - …is that distortion I hear during the chorus? Or is it the verse? Lost now… many ideas all stuffed into one track. It’s a catchy one you might like and it has definately hit potential. Mylène’s voice saves the song… she’s got that unique quality! Mr. RedOne puts a stamp on the track with steady beats.
‘Light me Up’ - (the English is kind of emberrassing sometimes but it will grown on you) Ongoing loops and patterns almost injured my vains, there’s no real ‘lighting up’ possible if you ask me, the producer should be a bit ashamed, though the melody sticks in my head so there’s something positive, good, I might even like the song!
‘Leila’ - makes me mad. Crazy chords and cheap string sounds with no dimension nor dynamics. Nice try with the multi-vocals calling ‘Leila’ but if i were Leila I’d walk away. The base line can’t hold the song. The chords sound simple and loop for ages… It’s as dry as over cooked turkey. But if that’s the idea behind the song, it succeeded.
‘Diabolique Mon Ange’ - intense vocals to begin with so one has hope! However, incoming beats and loops in a totally out-of-balance mix including strings as bad as snow on a hot summer ground, breaks are terrible, ‘Tic Tac’… is it over yet?
‘Inseperables’ - Mylène and I we used to be. This feels indeed like hell as she sings in this final track. My…you could have done so much better! For an even worse effect there’s the English version right after this song so I had to listen twice… I stopped the cd player before ending the song.

Mylène, Mylène, … what are you doing? Where’s the real quality music? Where’s the real Farmer? Where’s the musical drug and adventure? Don’t let yourself in with guys like Moby and Darius? You are not Lady Gaga so drop RedOne as well! Take it easy, remember who you are and have a glass of the best Chateauneuf-du-Pape with Laurent and start writing your next album with him please, straight from your heart, you can do it! Hey, there’s some very cool moments on this album but in general I simply can’t give it more than 2 out of 5 stars. After hearing tracks more and more I’m sure it will grown on you, like it’s doing with me as we speak, I even edited this review after first posting earlier this morning: I’ve had very cool moments, kind of funny after a fourth hearing session, played it loud in my car, no matter the production team, they can’t ignore her magic voice!!!
Why this review here at Spacemusic.nl ? Because I care. Because I am u huge fan of Mylène and I travel the world to see her concerts. I have all her albums, I can dream her music but now… I wake up from a bad dream: is this really her new album?
Well, it will save me from a couple of hundred euros for a concert/hotel arrangement in 2011 that’s for sure. I’d better spend it on good wines and great movies.
- a fan for over 22 years
Tags: 2010, Bleu Noir, Darius Keeler, Moby, Mylène Farmer, RedOne, review
It has been quite an experience ‘incroyable’ ! Mylene Farmer LIVE is beyond words; again she has touched me very deep. This time…. front row experience. Hard to explain, it’s a feeling, it’s a walking dream, it’s something unique. This podcast is dedicated to Mylène, her music, her unique live performance. The trip was a serious one…. and for Mylène it was her final concert of the 2009 tour.
Log: departure by train from Rotterdam Lombardijen @12:40pm. Dordrecht station @13:00. Change line for the next train: IC Hispeed to Brussels MIDI/ZUID. Arrival in Brussels @14:40. I decided to walk the last bit from the station to the hotel; next time I will definitely take the subway! It turned out to be a 15 minutes climbing up the hill task! Finally…..arrival at the hotel @15:15. After relaxing and unpacking the bag I recorded a soundseeingtour as featured on this podcast episode.
Brussels on that particular friday afternoon was noisy and messy! Hate to say it but the chaos and noise in this city caused a typical impression. (…tout est chaos!) I’ve been in London and Paris but somehow these cities seem to have ’structure’ and ‘manners’, unfortunately Brussels didn’t show these features too much… People disliked speaking English to me. They simply hesitated. I was better off speaking Dutch in some cases. Don’t get me wrong but Brussels is the headquarters of Europe isn’t it? (Say that again while stores are closed on sundays)
Saturday morning: alarm clock set @7:30AM. American Breakfast in the hotel was good. Left the hotel for my trip to Stade Roi Baudouin via subway. Arrived at the SRB station @9:30. I realized to get cash money for the official merchandizing t-shirts etc. later that day so where was the cash machine…? I asked around and was directed to the nearest bank at app. 2 km’s from where I was! Not very practical isn’t it? Welcome to Belgium. Ah well, good for some sweat and tears.
Back at the stadium ‘blue entry’ around 11:00AM. Already like 30/40 people waiting for the doors to open up and I joined them. The sun was shining! Life was good! Some drinks, some sandwiches that I got on my way from the bank back to the stadium.
Green light for entering the stadium area @1:30PM. Here we were able to buy lunch, water, beer etc. Soundchecking we could hear as the concert area was real close now…The waiting was till 5:00PM when the final gate to the concert area would open. And it did! Right on time… exactly 05:00pm we were running to our places!!! Literally, running!!! How cool is that??? Yess!!! Front row. Cat walk. All set. I was in !!!
@8:00pm the program started. Excuse me but I’ve forgotten the name of the drum band that had their pre-concert performance. Just like me I saw many people staring and being nervous just before the real thing….We wanted Mylène! Waiting again. Eventually Mylène kept her fans waiting till app. 09:30PM (!) when her eyes watched us from the bigggg screen. The show was starting….with the introduction. And that is an understatement;
Thrilling opening! I will never ever forget her eye watching from the screen and the lasers that literally were ’shot’ from the screen into the public, a 3D experience I had never seen before! The sound was beyond words. And I’ve heard a lot of sound systems in my life…. this one was f a n t a s t i q u e . Everybody (including me) was screaming and yelling, such a mind blowing lift-off. The concert from there can be described as a non-stop walking dream, Mylène took her fans on a journey, a journey that came from her mind, her soul, her dreams and was performed in a stadium filled with the 40,000 people audience.
Acoustic parts of the show, she had entered the center of the catwalk via the underground like the pianist did too. The songs they performed now…I can hardly describe it but let me try: moving and intriguing moments, confusion and joy, tears on all of our faces; ‘Point de Suture’ and the clip on the big screen - moments of full impact. The track all of a sudden became fully meaningful to me and that was when I couldn’t stay strong anymore. She got me! Don’t wipe your tears boy, it’s on everybody’s faces so why bother… just embrace all of it.
From the acoustic part at the end of the catwalk she was now walking back to the main stage; her gentle style, her fragile style, her beautiful clothes, her face, she passed me by at a 7 metres distance, one can’t imagine what I felt, and what we all felt these minutes; it was the interlude to ‘Avant Que l’Ombre…. It had become dark. Confused. Touched. Emotional. What did she do to us ? She just gave us her warm welcome…
Mylène took us from the dark into the light again, from ‘Libertine’ to ‘Dégénération to ‘Désenchantée, I took some video clips on my photo cam. It’s not in HQ but it’s fair enough to get the impression. The video is available from the link within today’s shownotes.
We’ve been completely in a trance, in extase, we’ve seen in concert Mylène Farmer! We love you!
Podcast: Play in new window | Download
Buy the album ‘Point de Suture’ from iTunes here (French Store)
Buy the album ‘Point de Suture’ from amazon.com here
Watch photos from the concert Mylène Farmer LIVE 2009 in Stade Roi Baudouin here
Watch the video in 640×360 format from Youtube here
Tags: 2009, Brussels, Bruxelles, Laurent Boutonnat, Mylène Farmer, podcast, Point de Suture, soundseeingtour, spacemusic, Stade Roi Baudouin, Stuffed Monkey, TC